![]() ![]() "Holiday, Billie." Discography of American Historical Recordings. In Discography of American Historical Recordings. "Holiday, Billie," accessed June 3, 2023. Recordings (Results 1-25 of 47 records) Companyįemale vocal solo and male vocal quartet, with jazz/dance bandĭiscography of American Historical Recordings, s.v. LP (Vinyl) 'Lady In Satin' Vinyl, Reissue edition af Billie Holiday. = Recordings were issued from this master. Lady in Satin is an album by the jazz singer Billie Holiday released in 1958 on Columbia Records, catalogue CL 1157 in mono and CS 8048 in stereo.It is the penultimate album completed by the singer and last released in her lifetime (her final album, Last Recording, being recorded in March 1959 and released just after her death). Billie Holiday, birth name Elinore Harris, byname Lady Day, (born April 7, 1915, Philadelphia, Pennsylvania, U.S.died July 17, 1959, New York City, New York), American jazz singer, one of the greatest from the 1930s to the ’50s. = Recordings are available for online listening. Roles Represented in DAHR: vocalist, songwriter Wikipedia content provided under the terms of the Creative Commons BY-SA licenseīirth and Death Data: Born Ap(Philadelphia), Died J(Metropolitan Hospital Center)ĭate Range of DAHR Recordings: 1933 - 1950.In 2017 Holiday was inducted into the National Rhythm & Blues Hall of Fame. She is the primary character in the play (later made into a film) Lady Day at Emerson's Bar and Grill the role was originated by Reenie Upchurch in 1986, and was played by Audra McDonald on Broadway and in the film. Lady Sings the Blues, a film about her life, starring Diana Ross, was released in 1972. As a teenager in the early ’30s, Holiday honed her singing talents in Harlem nightclubs. She was inducted into the Grammy Hall of Fame in 1973. Born Eleanora Fagan, Billie Holiday took her stage name from actress Billie Dove and her father, musician Clarence Holiday. She won four Grammy Awards, all of them posthumously, for Best Historical Album. Holiday died of cirrhosis on July 17, 1959. ![]() Her final album, Lady in Satin, was released in 1958. Due to personal struggles and an altered voice, her final recordings were met with mixed reaction, but were mild commercial successes. She was a successful concert performer throughout the 1950s with two further sold-out shows at Carnegie Hall. After a short prison sentence, she performed at a sold-out concert at Carnegie Hall, but her reputation deteriorated because of her drug and alcohol problems. By the late 1940s, however, she was beset with legal troubles and drug abuse. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia and Decca. Collaborations with Teddy Wilson yielded the hit "What a Little Moonlight Can Do", which became a jazz standard. She signed a recording contract with Brunswick in 1935. She was known for her vocal delivery and improvisational skills.Īfter a turbulent childhood, Holiday began singing in nightclubs in Harlem, where she was heard by the producer John Hammond, who commended her voice. Her vocal style, strongly inspired by jazz instrumentalists, pioneered a new way of manipulating phrasing and tempo. Nicknamed " Lady Day" by her friend and music partner Lester Young, Holiday had an innovative influence on jazz music and pop singing. Ludwig was referring to an old mono or old stereo LP that he has.Eleanora Fagan (Ap– July 17, 1959), professionally known as Billie Holiday, was an American jazz singer with a career spanning nearly thirty years. There are better scribes to tell the story of Lady Day's classic Lady In Satin recordings than myself but let this ageing rock & roll musician say this: if you like the current wave of American Songbook revivals by Rod Stewart, Robbie Williams et al, if you like watching Mad Men, and if you like the music made by the Rat Pack posse then please, do yourself and the cultural history of the USA a. So, only the people involved know which is “right”, but to me, the new version totally lost the magic, even if the new speed can be shown to be “correct”…so what! ![]() I put on my old LP and the chills were back! I noticed the LP was much slower than the new re-mastering. I put on the disc and my heart was broken, I got none of the chills I used to get. I just bought the SACD of one of my most favorite recordings that I have heard since my childhood, Billy Holiday’s “Lady In Satin”. They sound cleaner but are they representative of the actual masters?īob Ludwig: It’s often hard to tell. The problem is that, as consumers, we are unable to differentiate what was the “original” sound as recorded in the studio vs. MusicTAP: We’re in an era where re-masters arrive by the boatload from whatever label’s ship that has just arrived in the harbour brings to us. FYI, this is an excerpt from an interview of Robert Ludwig (who was one the best vinyl mastering engineers):
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